Dr. Chandrima Majumdar is a renowned sarod player who has carved a niche for herself in this male dominated sphere of sarod playing. She is not only a prolific performer but holds a rare combination of both practical performance and theoretical expertise in Indian Classical Music. She has collaborated with several musicians of different genres and countries to take Indian music to newer frontiers. She has pursued performance on sarod as well as the theoretical study of her instrument and gharana, which is a rare combination for any performing artist Raga Kedar, is a Hindustani classical raga. Named after Lord Shiva, the raga is placed on a high pedestal in the realms of Indian classical music. It is characterised by many complex turns, which are brilliantly melodious but difficult to express in words. This raag is the repetition of the swaras सा and म. It is generally accepted that there is much thermal energy in this melody and hence it is regarded as the Raagini of Raag Deepak. While preceding from Shuddha Madhyam (m) to Pancham (P), a touch of Gandhar (G) or a smooth passage from Gandhar (G) to Pancham (P) expressed as m G P is the more common way of instant Raag manifestation.